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c. 1445 – May 17, 1510. Italian painter.

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Leon Comerre
Still life with peonies

ID: 96731

Leon Comerre Still life with peonies
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Leon Comerre Still life with peonies


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Leon Comerre

Leon François Comerre French. 1850 - 1934  Related Paintings of Leon Comerre :. | Morning Glories | Portrait of Suzanne Hudelo | Bloemen | A still life with flowers | Still life with peonies |
Related Artists:
Juan de Arellano
(3 August 1701 - 13 October 1776) was a Spanish painter of the Baroque era who specialized in floral still life paintings. Born in Santorcaz, near Madrid, where he died. He was a pupil of Juan de Solis. Heavily influenced by Flemish and Italian painters (such as Mario Nuzzi), Juan de Arellano was considered to be exceptional in this thematic. According to one of his colleagues, de Arellano decided to focus exclusively on floral paintings because it offered more pay while requiring less work . Some of de Arellano's most famous pieces include Bouquet of Flowers (c.1660), and Garland of Flowers, Birds and Butterfly, currently on display at the Louvre. He also painted for the sacristy of the church of San Jerenimo el Real of Madrid. See Bodegen for a description of one style of Spanish still life painting.
SAENREDAM, Pieter Jansz
Dutch Baroque Era Painter, 1597-1665,Painter and draughtsman, son of Jan Saenredam. His paintings of churches and the old town halls in Haarlem, Utrecht and Amsterdam must have been appreciated by contemporary viewers principally as faithful representations of familiar and meaningful monuments. Yet they also reveal his exceptional sensitivity to aesthetic values; his paintings embody the most discriminating considerations of composition, colouring and craftsmanship. His oeuvre is comparatively small, the paintings numbering no more than 60, and each is obviously the product of careful calculation and many weeks of work. Their most striking features, unusual in the genre, are their light, closely valued tonalities and their restrained, restful and delicately balanced compositions. These pictures, always executed on smooth panels, are remarkable for their sense of harmony and, in some instances, serenity. Here, perhaps, lies a trace of filial fidelity to the Mannerist tradition of refinement and elegance, of lines never lacking in precision and grace. But Mannerist figures and the more comparable components of strap- and scrollwork embellishment lack the tension and clarity of Saenredam's designs, which also have a completeness reminiscent of the fugues of Gerrit Sweelinck (1566-?1628).
Piero di Cosimo
1462-1521 Italian Piero di Cosimo Galleries Italian painter and draughtsman. Tax declarations made by Piero di Cosimo's father suggest that the artist was born in either 1461 or 1462. According to the first, he was eight years old in 1469, while a catasto (land registry declaration) of 1480 gives his age as 18. A document of 1457 establishes that his father, Lorenzo di Piero d'Antonio, was a maker of small tools (succhiellinaio) rather than a goldsmith, as Vasari claimed. By 1480 Piero appears no longer to have been living at the family house in the Via della Scala, Florence, but was an unsalaried apprentice or workshop assistant to Cosimo Rosselli, from whom he received room and board and eventually took the name of Piero di Cosimo.






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